{"id":10533,"date":"2015-02-05T13:35:44","date_gmt":"2015-02-05T12:35:44","guid":{"rendered":"http:\/\/papyblues.com\/?p=10533"},"modified":"2015-02-05T13:35:44","modified_gmt":"2015-02-05T12:35:44","slug":"whipping-post-dawn-the-distance-1997","status":"publish","type":"post","link":"http:\/\/papyblues.com\/?p=10533","title":{"rendered":"WHIPPING POST : \u00ab\u00a0DAWN THE DISTANCE\u00a0\u00bb.1997"},"content":{"rendered":"

\"Image<\/a><\/p>\n

WHIPPING POST<\/strong><\/span>, voil\u00e0 un groupe australien, dont il m’est difficile de vous parler, tant il est dur, voir impossible de mettre la main sur un quelconque document\u00a0 parlant de lui.<\/p>\n

\u00ab\u00a0All In A Night’s Work<\/strong><\/em><\/span>\u00ab\u00a0<\/p>\n\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/01-All-In-A-Nights-WorkXXX.mp3<\/a><\/audio>\n

\"10561699_820943831272571_215179110416347367_n\"<\/a><\/p>\n

\u00ab\u00a0No Cameras<\/strong><\/em><\/span> (In The Country<\/strong><\/em><\/span>)<\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/02-No-Cameras-In-The-Country111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/02-No-Cameras-In-The-Country222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/02-No-Cameras-In-The-Country333.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/02-No-Cameras-In-The-Country444.mp3<\/a><\/audio>\n

\u00ab\u00a0Dawn The Distance<\/strong><\/em><\/span>\u00a0\u00bb est son second album. Le groupe joue un rock type sudiste, mais au vu de son nom, on imagine bien que son influence majeure\u00a0reste ind\u00e9niablement Allman Brothers<\/strong><\/em>. Dans l’esprit certes,<\/p>\n

\u00ab\u00a0King Street<\/strong><\/em><\/span>\u00ab\u00a0<\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/03-King-StreetXXX.mp3<\/a><\/audio>\n

mais\u00a0WHIPPING POST<\/strong> <\/span>joue plus rock, et le rythme est nettement moins jazzy ou chaloup\u00e9 ou swinguant qu’Allman<\/strong><\/em>.<\/p>\n

\u00ab\u00a0Part Time Love<\/strong><\/em><\/span>\u00ab\u00a0<\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/04-Part-Time-LoveXXX.mp3<\/a><\/audio>\n

On est plus dans un r\u00e9el esprit\u00a0Southern Rock. Ce qui n’emp\u00eache le groupe d’\u00eatre au demeurant tr\u00e8s bon.<\/p>\n

\u00ab\u00a0Canefields<\/strong><\/em><\/span>\u00ab\u00a0<\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/05-Canefields111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/05-Canefields222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/05-Canefields333.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/05-Canefields444.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/05-Canefields555.mp3<\/a><\/audio>\n

Compos\u00e9 de cinq musiciens, RAY FLEGG<\/strong> <\/span>– guitares \u00e9lectriques, acoustiques, et slide. MARC LEON<\/strong> <\/span>– guitares \u00e9lectriques et acoustiques.<\/p>\n

\u00ab\u00a0Bought Me A Hog<\/strong><\/em><\/span>\u00ab\u00a0<\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/06-Bought-Me-A-HogXXX.mp3<\/a><\/audio>\n

ROB KERMAC<\/strong> <\/span>– vocaux. MARK LANDMANN<\/strong> <\/span>– basse 4 et 5 cordes. ROSS BANKS<\/strong> <\/span>– batterie.<\/p>\n

\u00ab\u00a0In Memory Of Elizabeth Reed<\/strong><\/em><\/span>\u00ab\u00a0<\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/07-In-Memory-Of-Elizabeth-Reed111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/07-In-Memory-Of-Elizabeth-Reed222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/07-In-Memory-Of-Elizabeth-Reed333.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/07-In-Memory-Of-Elizabeth-Reed444.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/07-In-Memory-Of-Elizabeth-Reed555.mp3<\/a><\/audio>\n

\"10260007_764199666946988_2298258551298012297_n\"<\/a><\/p>\n

\u00ab\u00a0Roll On Center<\/strong><\/em><\/span>\u00ab\u00a0<\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/08-Roll-On-Central111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/08-Roll-On-Central222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/08-Roll-On-Central333.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/08-Roll-On-Central444.mp3<\/a><\/audio>\n

Pour cet album, le groupe est en plus accompagn\u00e9 par Mick O’Connor<\/strong><\/span>– orgue Hammond. Alex Pertout<\/strong> <\/span>– percussions. Penny Dyer<\/strong> <\/span>& Christine Sullivan<\/strong> <\/span>– choristes. On trouve\u00a0trois reprises dans l’album, le \u00ab\u00a0Part Time Lover<\/span><\/strong><\/em>\u00a0\u00bb de Point Blank<\/strong><\/em>,\u00a0ainsi que le grandissime \u00ab\u00a0In Memory Of Elizabeth Reed<\/strong><\/em><\/span>\u00a0\u00bb et\u00a0\u00ab\u00a0Southbound<\/strong><\/em><\/span>\u00a0\u00bb de l’Allman Brothers<\/strong> <\/em>Si vous aimez le rock sudiste, jetez donc une oreille sur WHIPPING POST<\/strong><\/span>. Ca fait plaisir \u00e0 entendre.<\/p>\n

\"156460_394135357286756_1686637467_n\"<\/a><\/p>\n

\u00a0(avec Billy Joel<\/strong> <\/em>aux claviers)<\/p>\n

\u00ab\u00a0Southbound<\/strong><\/em><\/span>\u00ab\u00a0<\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/09-Southbound111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/02\/09-Southbound222.mp3<\/a><\/audio>\n

Un pr\u00e9sentateur d’une radio\u00a0 am\u00e9ricaine \u00ab\u00a03RRR. FM\u00a0\u00bb<\/strong> a d\u00e9clar\u00e9 \u00e0 propos de cet album : \u00ab\u00a0Whipping Post arrive \u00e0 combiner mes \u00e9l\u00e9ments favoris de Johnny Winter et des Allman Brothers, mais en y m\u00ealant leur propre style. Qu’il s’agisse de taper du pied sur un rocking blues, ou d’un titre au climat plus doux, cet album est un putain de bon disque…\u00a0\u00bb<\/strong><\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n

*****<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

WHIPPING POST, voil\u00e0 un groupe australien, dont il m’est difficile de vous parler, tant il est dur, voir impossible de mettre la main sur un quelconque document\u00a0 parlant de lui.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-10533","post","type-post","status-publish","format-standard","hentry","category-musique"],"_links":{"self":[{"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/posts\/10533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/papyblues.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10533"}],"version-history":[{"count":22,"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/posts\/10533\/revisions"}],"predecessor-version":[{"id":10665,"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/posts\/10533\/revisions\/10665"}],"wp:attachment":[{"href":"http:\/\/papyblues.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/papyblues.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10533"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/papyblues.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}