{"id":13568,"date":"2015-04-09T15:04:14","date_gmt":"2015-04-09T14:04:14","guid":{"rendered":"http:\/\/papyblues.com\/?p=13568"},"modified":"2015-04-09T15:04:54","modified_gmt":"2015-04-09T14:04:54","slug":"james-brown-soul-on-top-1969","status":"publish","type":"post","link":"http:\/\/papyblues.com\/?p=13568","title":{"rendered":"JAMES BROWN : \u00ab\u00a0SOUL ON TOP\u00a0\u00bb. 1969"},"content":{"rendered":"

\"R-367153-1282277148_jpeg\"<\/a><\/p>\n

En 1969<\/strong>, James Brown<\/strong> <\/span><\/span>est d\u00e9j\u00e0 une star, il connait le succ\u00e8s gr\u00e2ce \u00e0 une suite ininterrompue de hits au cours des ann\u00e9es pr\u00e9c\u00e9dentes, \u00ab\u00a0Please, Please, Please\u00a0\u00bb\u00a0 \u00ab\u00a0Try Me\u00a0\u00bb\u00a0 \u00ab\u00a0Night Train\u00a0\u00bb\u00a0 \u00ab\u00a0I’ll Go Crazy\u00a0\u00bb\u00a0<\/strong> <\/em>\u00ab\u00a0Bewildered\u00a0\u00bb<\/strong><\/em><\/span> . Son style il l’a trouv\u00e9 depuis longtemps, et son charisme fait le reste. C’est sur lui que sont braqu\u00e9s les milliers de regards, ses pas de dance attirent l’attention de tous, et fascinent hommes et femmes. Physiquement il donne beaucoup, sans compter\u00a0\u00a0mais en retour, il demande beaucoup \u00e0 ses musiciens,\u00a0 tous d’un niveau exceptionnel.<\/p>\n

\"JB_portrait\"<\/a><\/p>\n

1. \u00ab\u00a0That’s My Desire<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\n\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/01-Thats-My-Desire-111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/01-Thats-My-Desire-222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/01-Thats-My-Desire-333.mp3<\/a><\/audio>\n

Son \u00ab\u00a0Live At The Apollo\u00a0\u00bb<\/strong><\/em><\/span> en 1962<\/strong> est un grand succ\u00e8s. L’\u00e9motion qu’il donne est ressentie par son public. C’est un professionnel jusqu’au bout des ongles. \u00ab\u00a0Out Of Sight\u00a0\u00bb\u00a0 \u00ab\u00a0It’s A Man’s Man’s World\u00a0\u00bb<\/strong><\/em><\/span> que des tubes. De plus en plus a travers ses chansons il revendique le fait d’\u00eatre noir, et d’en \u00eatre fier, m\u00eame s’il vise un public aussi bien noir que blanc.<\/p>\n

2. \u00ab\u00a0Your Cheatin’ Heart<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/02-Your-Cheatin-Heart-222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/02-Your-Cheatin-Heart-333.mp3<\/a><\/audio>\n

\"Jame-Brown-1981\"<\/a><\/p>\n

3. \u00ab\u00a0What Kind Of Fool Am I<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/03-What-Kind-Of-Fool-Am-I-111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/03-What-Kind-Of-Fool-Am-I-222.mp3<\/a><\/audio>\n

James Brown<\/strong> <\/span><\/span>fait parti de ceux qui mouille la chemise, ses concerts sont de v\u00e9ritables shows. En 1969<\/strong>, il veut s’essayer \u00e0 autre chose. Il a toujours dit \u00ab\u00a0…Au fond de mon c\u0153ur j’ai toujours \u00e9t\u00e9 un jazz man…\u00a0\u00bb <\/strong>\u00a0<\/em>James Brown<\/strong> <\/span><\/span>veut chanter derri\u00e8re un Big Band de Jazz, celui du batteur Louie Bellson<\/strong><\/span>, The Louie Bellson Orchestra<\/strong><\/span>, sous la conduite et les arrangements du grand Oliver Nelson<\/strong><\/span>.<\/p>\n

4. \u00ab\u00a0It’s A Man’s, Man’s, Man’s World<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/04-Its-A-Mans-Mans-Mans-World-111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/04-Its-A-Mans-Mans-Mans-World-222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/04-Its-A-Mans-Mans-Mans-World-333.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/04-Its-A-Mans-Mans-Mans-World-444.mp3<\/a><\/audio>\n

\"j1JTfx19KhUbn7inFWStb9mAnKE\"<\/a><\/p>\n

5. \u00ab\u00a0The Man In The Glass<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/05-The-Man-In-The-Glass-111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/05-The-Man-In-The-Glass-222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/05-The-Man-In-The-Glass-333.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/05-The-Man-In-The-Glass-444.mp3<\/a><\/audio>\n

Il prend avec lui\u00a0 Maceo Parker<\/strong> <\/span>son saxophoniste t\u00e9nor, et enregistre avec dix huit musiciens un album vocal de Big band-Funk-Jazz. On y trouve des standards de Jazz, de com\u00e9dies musicales\u00a0et bien sur des chansons de Brown<\/strong><\/span><\/span>. L’enregistrement commence en novembre 1969<\/strong> \u00e0 l’United Western Recorded<\/em> \u00e0 Hollywood. Les influences de l’orchestre sont manifestes envers Count Basie<\/strong><\/em>. Ce projet aussi surprenant qu’il puisse para\u00eetre correspond bien au \u00ab\u00a0Parrain de la Soul\u00a0\u00bb toujours \u00e0 la recherche de nouveaux territoires \u00e0 explorer.<\/p>\n

6. \u00ab\u00a0It’s Magic<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/06-Its-Magic-111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/06-Its-Magic-222.mp3<\/a><\/audio>\n

\"gal-apollo-23-jpg\"<\/a><\/p>\n

7. \u00ab\u00a0September Song<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/07-September-Song-111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/07-September-Song-222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/07-September-Song-333.mp3<\/a><\/audio>\n

James Brown<\/strong> <\/span><\/span>a grandit en \u00e9coutant du Jazz et des Big Bands, et la fronti\u00e8re entre Jazz et R’n’B\u00a0 est mince. Basie<\/strong><\/em><\/span>, Ellington, Hampton<\/strong><\/em> sont un peu\u00a0les membres de sa famille, et il r\u00e9ussit \u00e0 combiner toutes ses influences diverses mais proches dans cet album \u00ab\u00a0Soul On Top\u00a0\u00bb.<\/strong> <\/span>Voici l’ensemble des musiciens qui ont particip\u00e9 \u00e0 l’enregistrement sur le label Verve<\/strong> <\/em>de ce splendide album.<\/p>\n

8. \u00ab\u00a0For Once In My Live<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/08-For-Once-In-My-Life-111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/08-For-Once-In-My-Life-222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/08-For-Once-In-My-Life-333.mp3<\/a><\/audio>\n

\"james%20brown%2012\"<\/a><\/p>\n

James Brown<\/span><\/a> <\/strong><\/span>– chant<\/span>.\u00a0\u00a0<\/span> Oliver Nelson<\/a><\/span><\/strong> – arrangeur et chef d’ orchestre.\u00a0 Ernie Watts <\/span><\/strong><\/span>– saxophone alto.\u00a0\u00a0Joe Romano<\/strong> <\/span><\/span>– saxophone alto.\u00a0 Maceo Parker<\/strong> <\/span><\/span>– saxo t\u00e9nor.\u00a0 Buddy Collette<\/strong><\/span><\/span> – saxo t\u00e9nor. Pete Christlieb<\/strong> <\/span>– saxo t\u00e9nor.\u00a0 Jim Mulidore<\/strong> <\/span><\/span>– saxo baryton. Al Aarons <\/strong><\/span><\/span>– trompette. Chuck Findley<\/strong> <\/span><\/span>– trompette. John Audino<\/strong> <\/span><\/span>– trompette. Tom Porello<\/strong> <\/span><\/span>– trompette. Jimmy Cleveland<\/strong> <\/span><\/span>– trombone. Nick DiMaio<\/strong> <\/span><\/span>– trombone. Kenny Shroyer<\/strong> <\/span><\/span>– trombone. Bill Tole<\/strong> <\/span><\/span>– trombone. Frank Vincent<\/strong> <\/span><\/span>– piano. Bill Pittman<\/strong> <\/span><\/span>– guitare. Louis Shelton<\/strong> <\/span><\/span>– guitare. Ray Brown<\/strong> <\/span><\/span>– basse. Jack Arnold<\/strong> <\/span><\/span>– percussions. Louie Bellson<\/strong> <\/span><\/span>– batterie, chef d’ orchestre. <\/span><\/p>\n

\"louisbellson550678\"<\/a><\/p>\n

9. \u00ab\u00a0Every Day I Have The Blues<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/09-Everyday-I-Have-The-Blues-111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/09-Everyday-I-Have-The-Blues-222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/09-Everyday-I-Have-The-Blues-333.mp3<\/a><\/audio>\n

Dans l’album tous les chorus de saxophone t\u00e9nor sont pris par Maceo Parker,<\/strong><\/span> dirig\u00e9 par Bellson<\/strong><\/span>, premier batteur de jazz a s’\u00eatre servi d’une batterie \u00e0 double grosse caisse. \u00ab\u00a0Soul On Top\u00a0\u00bb <\/strong><\/em>n’est pas \u00e0 proprement parler un v\u00e9ritable disque de Jazz, mais un album de James Brown<\/strong> <\/span>\u00e0 la sauce Jazz…<\/span><\/span><\/p>\n

10. \u00ab\u00a0I Need Your Key To Turn Me On<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/10-I-Need-Your-Key-To-Turn-Me-On-111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/10-I-Need-Your-Key-To-Turn-Me-On-222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/10-I-Need-Your-Key-To-Turn-Me-On-333.mp3<\/a><\/audio>\n

\"james-brown-copylogo\"<\/a><\/p>\n

11. \u00ab\u00a0Papa’s Got A Brand New Bag<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/11-Papas-Got-A-Brand-New-Bag-111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/11-Papas-Got-A-Brand-New-Bag-222.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/11-Papas-Got-A-Brand-New-Bag-333.mp3<\/a><\/audio>\n

Il n’en demeure pas moins extraordinaire dans le travail effectu\u00e9. Le son \u00e9norme du Big Band, la voix fabuleuse du \u00ab\u00a0Godfather Of Soul\u00a0\u00bb, tous les ingr\u00e9dients apport\u00e9s par chacun des musiciens en font un disque hors du commun. Un album qui s’adresse \u00e0 l’\u00e2me de chacun de celui qui l’\u00e9coute…<\/span><\/span><\/p>\n

\"jb-630x521\"<\/a><\/p>\n

12. \u00ab\u00a0There Was A Time<\/span>\u00ab\u00a0<\/strong><\/span><\/p>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/12-There-Was-A-Time111.mp3<\/a><\/audio>\nhttp:\/\/papyblues.com\/wp-content\/uploads\/2015\/03\/12-There-Was-A-Time-222.mp3<\/a><\/audio>\n

M\u00eame si ce n’est pas le James Brown<\/strong> <\/span>que l’on connait, que l’on \u00e9coute, il nous laisse entrevoir une autre facette de ce diable d’homme, hors du commun, hors du temps, hors des modes, si ce n’est celle qu’il a choisit, la seule : la sienne!!!<\/span><\/span><\/p>\n

\u00a0\"James<\/a><\/span><\/strong><\/span><\/p>\n

 <\/p>\n

\u00a0<\/span><\/p>\n

\u00a0***<\/span><\/p>\n

 <\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/strong><\/span><\/p>\n

\u00a0<\/strong><\/span><\/p>\n

\u00a0<\/span><\/strong><\/span><\/p>\n

\u00a0<\/strong><\/span><\/h3>\n","protected":false},"excerpt":{"rendered":"

En 1969, James Brown est d\u00e9j\u00e0 une star, il connait le succ\u00e8s gr\u00e2ce \u00e0 une suite ininterrompue de hits au cours des ann\u00e9es pr\u00e9c\u00e9dentes, \u00ab\u00a0Please, Please, Please\u00a0\u00bb\u00a0 \u00ab\u00a0Try Me\u00a0\u00bb\u00a0 \u00ab\u00a0Night Train\u00a0\u00bb\u00a0 \u00ab\u00a0I’ll Go Crazy\u00a0\u00bb\u00a0 \u00ab\u00a0Bewildered\u00a0\u00bb . Son style il l’a trouv\u00e9 depuis longtemps, et son charisme fait le reste. C’est sur lui que sont braqu\u00e9s […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-13568","post","type-post","status-publish","format-standard","hentry","category-musique"],"_links":{"self":[{"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/posts\/13568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/papyblues.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13568"}],"version-history":[{"count":25,"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/posts\/13568\/revisions"}],"predecessor-version":[{"id":14206,"href":"http:\/\/papyblues.com\/index.php?rest_route=\/wp\/v2\/posts\/13568\/revisions\/14206"}],"wp:attachment":[{"href":"http:\/\/papyblues.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/papyblues.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13568"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/papyblues.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}